“Changing Circumstance.”
- World Cinema, Global Networks. Eds. Elena Gorfinkel and Tami Williams. New Brunswick, NJ: University of Rutgers Press, forthcoming.
“Pink Material: White Womanhood and the Colonial Imaginary of World Cinema Authorship.”
- Routledge Companion to Gender and Cinema. Eds. Kristin Hole, Dijana Jelaca, E. Ann Kaplan, Patrice Petro. London: Routledge, 2016. 215-226.
“Killer Feminism.”
- Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema. Eds. Linda Badley, Clare Perkins, and Michele Schreiber. Edinburgh: Edinburgy University Press, 2016. 36-53.
“Sketchy Lesbians: Carol as History and Fantasy.”
- Film Quarterly 69:2 (Winter 2015), pp. 8-18.
“Pariah: Coming Out in the Middle.”
- Possible Films. Eds. Claire Perkins and Constantine Verevis. Edinburgh, Scotland: Edinburgh University Press, 2015. 133-143.
“Documentary Practice and Transnational Feminist Theory: The Visibility of FGC.”
- Blackwell Companion to Documentary. Eds. Alex Juhasz and Alisa Lebow. Malden, MA: Blackwell, 2014. 217-232.
“Global Flows of Women’s Cinema: Nadine Labaki.”
- Media Authorship. Eds. Cynthia Chris and David Gerstner. London: Routledge, 2013. 212-228.
“Age Appropriate?: Sundance’s Women Filmmakers Come Next.”
- Film Quarterly 67.2 (2013): 80-84.
“Book Review: The New Queer Cinema: The Director’s Cut by B. Ruby Rich.”
- Film Quarterly 67:1 (2013): 89-91.
“Looking Back and Looking Forward: A Conversation About Women Make Movies.”
- Co-authored with Debra Zimmerman. Camera Obscura 28 (2012) 147-155.
“Teaching Gender and Sexuality with Independent Media.”
- Teaching Film. Eds. Lucy Fischer and Patrice Petro. New York: MLA Publications, 2012. 63-73.
“Feminist Commitment and Feminized Service: Nonprofits and Journals.”
“Book Review: Lesbianism, Cinema, Space: The Sexual Life of Apartments.”
- GLQ 16:3 (2010): 487-490.
- Camera Obscura 72 (2009): 152-162.
- Screen 49.4 (2008): 410-425.
“(Re)Inventing Camera Obscura.”
- Co-authored with the Camera Obscura collective. Inventing Film Studies. Eds. Lee Grievson and Haidee Wasson. Durham, NC: Duke University Press, 2008, 298-318.
“Cinema Solidarity: Kim Longinotto’s Documentary Practice.”
- Cinema Journal 46:1 (2006) 120-127.
“Last Days of Women’s Cinema.”
- Camera Obscura 63 (2006): 145-151.
“An Archive for the Future: Camera Obscura at Thirty: Archiving the Past, Imagining the Future.”
- Editors’ Introduction. Camera Obscura 61 (2006): 1-25.
“Hitchcock and Hom(m)osexuality.”
- Hitchcock: Past and Future. Eds. Richard Allen and Sam Ishii González. London: Routledge, 2004. 211-227.
“Nazimova’s Veils: Salome at the Intersection of Film Histories.”
- A Feminist Reader in Early Cinema. Eds. Diane Negra and Jennifer Bean. Durham, NC: Duke University Press, 2002. 60-87.
“The Boys Don’t Cry Debate: Girls Still Cry.”
- Screen 42.2 (2001): 217-221.
- Reprinted in Queer Screen: A Screen Reader. Eds. Jackie Stacey and Sarah Street. London: Routledge, 2007.
“Black and White: Mercedes de Acosta’s Glorious Enthusiasms.”
- Camera Obscura 45 (2001): 225-265.
- Reprinted in Reclaiming the Archive: Feminism and Film History. Ed. Vicki Callahan. Detroit, MI: Wayne State University Press, 2010. 231-258.
“Hollywood Lesbians: Annamarie Jagose interviews Patricia White.”
- Genders 32 (2000).
“Queer Publicity: A Dossier on Lesbian and Gay Film Festivals.”
- Introduction and editor. GLQ 5.1 (1999): 73-93.
- Oxford Guide to Film Studies. Eds. John Hill and Pamela Gibson. Oxford, UK: Oxford University Press, 1998. 117-131.
- Signs 23.2 (1998): 519-524.
“Supporting Character: The Queer Career of Agnes Moorehead.”
- Out in Culture: Lesbian, Gay and Queer Essays in Popular Culture. Eds. Alexander Doty and Corey Creekmur. Durham, NC: Duke University Press, 1995. 91-114.
- Reprinted in Movie Acting: The Film Reader. Ed. Pamela Robertson Wojcik. London: Routledge, 2004. 211-226.
“Governing Lesbian Desire: Nocturne’s Oedipal Fantasy.”
- Feminisms in the Cinema. Eds. Ada Testaferri and Laura Pietropaolo. Bloomington: Indiana University Press, 1995. 86-105.
“Female Spectator, Lesbian Specter: The Haunting.”
- Inside/Out: Lesbian Theories, Gay Theories. Ed. Diana Fuss. New York: Routledge, 1991. 142-172.
- Reprinted in Sexuality and Space. Ed. Beatriz Colomina. Princeton, NJ: Princeton Architectural Press, 1992. 131-162.
- Reprinted in Women in Film Noir, revised edition. Ed. E. Ann Kaplan. London: BFI Publishing, 1999. 130-150.
- Reprinted in The Horror Reader. Ed. Kenneth Gelder. London: Routledge, 2000. 210-222.
Women in Film: An International Guide.
- Contributor. Eds. Annette Kuhn with Susannah Radstone. London: Pandora and New York: Ballantine, 1990.
- Screen 28.4 (1987): 80-95.
- Reprinted in Queer Looks: Perspectives on Lesbian and Gay Experimental Media. Eds. Martha Gever, John Greyson, and Pratibha Parmar. New York: Routledge, 1993. 275-291.
- Reprinted in Kinemathek 86 (1995): 90-106
- Reprinted in Perspectives on German Cinema. Eds. Terri Ginsberg and Kirsten Moana Thompson. New York: GK Hall, 1996. 435-449.